![]() The agogo bells and tambourine part is fun but not easy to play. The four bars solo before the B-section ate free for improvisation. The bass drum makes sure to give the beats and drive the ensemble. The difference between the two marimbas is that this one mainly focuses on playing the accents, making them stand out even more! BassdrumĪh, yes, the bass drum! Although Samba De Janeiro is mainly a samba song, we are playing a disco version. Marimba 2Īs marimba one and vibraphone 2, marimba 2 is here to play the chords. This part, together with vibraphone 2, is fun to play, although if you go above the recommended BPM, it gets on the arms. Marimba 1 is essential as it ensures the song has a drive and constant harmonic foundation. This part, together with Marimba 1, is fun to play, although if you go above the recommended BPM, it gets on the arms. Vibraphone 2 is essential as it ensures the song has a drive and constant harmonic foundation. The Xylophone, Vibraphone 1, and glockenspiel parts play all the melodies throughout the song. ![]() Here is more information on every single element in this arrangement: Xylophone To add people, you can double the xylophone and marimba parts an octave higher. However, we played it with a 16-person ensemble over the years. I originally wrote the percussion ensemble arrangement of Samba De Janeiro for a 12-person ensemble. ![]()
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